ARTISTS
Born in Glasgow in 1952, Knussen grew up near London, where his father was principal double bass of the London Symphony Orchestra. It was with the LSO that he made his debut in April 1968, conducting his First Symphony in London and in Carnegie Hall, New York. In 1970 he was awarded the first of three fellowships to Tanglewood, where he studied with Gunther Schuller. During this time he completed several works which were subsequently widely performed on both sides of the Atlantic and established his early reputation. In 1975 Knussen returned permanently to the UK.
From 1983 till 1998, Knussen was an Artistic Director of the Aldeburgh Festival, and also held posts at the Tanglewood Music Center and with the Chamber Music Society of Lincoln Center. In 1992, with Colin Matthews, he established the Contemporary Composition and Performance courses at the Britten-Pears School in Snape.
After many years of close collaboration with the London Sinfonietta, Oliver Knussen became Music Director in 1998, and in 2002 was made Conductor Laureate. In 2006 he was appointed Artist in Association with the BCMG. Among his many awards are Honorary Memberships of the American Academy of Arts and Letters and the Royal Philharmonic Society, an Honorary Doctorate from the Royal Scottish Academy of Music and Drama, and the 2004 Association of British Orchestras Award. In 2006 he was named the second recipient of the Michael Ludwig Nemmers Prize from Northwestern University, USA.
He has guest-conducted in many parts of the world, including in the USA, Canada, Europe and Japan. As a conductor he has recorded more than thirty CDs of contemporary music, several of which have won international awards - these include Robin Holloway's Concerto for Orchestra No.2, which won NMC's first Gramophone Award, and Maxwell Davies' opera Taverner.
He became a CBE in the 1994 Birthday Honours.
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COMPOSER:
DESCRIPTION
This disc from Julian Anderson celebrates his residency with Birmingham's ensembles from 2001-2005.
Book of Hours, one of three live recordings on the disc, combines ensemble and live electronics in a tribute to two great glories of late medieval art - the illuminations of the Très riches heures du Duc de Berry and the Dame à la licorne tapestries held in Paris; it uses electronic sound as (in the composer's words) "an extra colour … rather as gold-leaf might be applied in a Medieval manuscript".
This exploration of other times and sound-worlds is continued in Eden (recorded live at the 2005 Cheltenham Festival), which opens with a solo viola and cello evoking the sound of Renaissance viols; and Four American Choruses, which set nineteenth-century hymn texts in a robust display of spirituality reminiscent of Charles Ives.
The disc is completed by Anderson's Symphony (also recorded live) - which despite its abstract title was inspired by a painting, Lake Keitele, by the Finnish artist Akseli Gallen-Kallela; and by Imagin'd Corners, an exuberant showpiece for five horns and orchestra.
Note on Recording (RE: Track 9 "noise")
We would like to point out that the crackling noise present on track 2 of Book of Hours (track 9 of the album) is intentional. The composer's idea was to begin Part 2 of the work as a distorted version of Part 1 (track 8). Julian Anderson has explained to us that he is recreating - with electronics - the surface noise of LPs bought in Eastern Europe before the fall of the Berlin Wall (he has a strong interest in Eastern European music).
REVIEWS
NOMINATED FOR A 2007 GRAMOPHONE AWARD
GRAMOPHONE EDITOR'S CHOICE
'For his "fusion of direct simplicity and delirious complexity", which won him this year's RPS award for large-scale composition, Anderson has become one of the most admired British composers of his generation. Here's why.' The Observer
Review in The Classical Source
Reviews on MusicWeb by Anne Ozorio and Hubert Culot
AWARDS

RECORDING CREDITS
Eden:
Recording date: 1 July 2005
Recording venue: Cheltenham Town Hall
Engineer: Huw Thomas
Producer: Michael Surcombe
Imagin'd Corners:
Recording date: 19 January 2006
Recording venue: Symphony Hall, Birmingham
Engineer: Mike Clements
Producer: Andrew Walton
Symphony:
Recording date: 4 December 2003
Recording venue: Symphony Hall, Birmingham
Engineer: Steve Portnoi
Producer: Chris Wines
Four American Choruses:
Recording date: 19 January 2006
Recording venue: Hawksyard Priory, Lichfield
Engineer: Mike Clements
Producer: Andrew Walton
Book of Hours:
Recording date: 29 January 2005
Recording venue: RNCM, Manchester
Engineer: Steve Portnoi
Producer: Chris Wines
Book of Hours is released by arrangement with BBC Music
Cover image: Francois Hall
Eden, Symphony, Choruses, Imagin'd Corners (P) 2006 NMC Recordings Ltd
Book of Hours (P) 2006 BBC







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