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ARTISTS

Sophie Daneman, soprano

Sophie Daneman is particularly noted for performances of the Baroque repertoire, especially her regular collaboration with Les Arts Florissants and William Christie; among their many recordings together, three have been recent recipients of Gramophone Awards.

Recent engagements include the title role in Semele with Nicholas McGegan, Handel's L'Allegro with William Christie, her return to the Bavarian State Opera for Dido and Aeneas, and Handel's Cleopatra in Gottingen. She has sung Skellig (by Tod Machover) at The Sage, Gateshead, and both Haydn's Creation with the St Paul Chamber Orchestra and Stabat Mater with Fabio Biondi. Engagements include a recital tour with Christianne Stotijn in Spain and the Netherlands, recitals with Ian Bostridge in London and Hohenems, Schoenberg's Quartet Op. 10 with the Tokyo String Quartet, and a tour of Lully's Atys with Les Arts Florissants and William Christie.

Image Credit: Sandra Lousada
Susan Bickley, mezzo-soprano
Susan Bickley is firmly established as one of the most versatile mezzo-sopranos of her generation, equally at home in the opera house or on the concert platform, with a wide repertory encompassing the Baroque, the great 19th and 20th Century dramatic roles and the music of today.
 
Equally at home in baroque, nineteenth and twentieth century and contemporary music, she has sung important roles for Opéra de Paris, Glyndebourne, San Francisco Opera, De Vlaamse Opera and at Berlin's Staatsoper Unter den Linden. She created roles in Andriessen's Writing to Vermeer, Turnage's Twice through the Heart and Gerald Barry's The bitter tears of Petra von Kant. In concert, she has performed with all of the major British symphony orchestras and ensembles, with Les Arts Florissants, the Ensemble InterContemporain and the Deutsche Kammerphilharmonie, at Carnegie Hall, New York, and at the Salzburg Festival. A distinguished recitalist, she has worked with pianists Roger Vignoles, Iain Burnside and Julius Drake.
Image Credit: Samantha Ovens
Benjamin Hulett, tenor

 

Benjamin Hulett has been hailed by the national press as one of the most promising young tenors of today. He studies with David Pollard and trained on the Opera course at the Guildhall School of Music and Drama and as a choral scholar at New College, Oxford.
 
On the concert platform he has appeared with Sir Andrew Davis and the BBC Symphony Orchestra (BBC Proms), the Orchestre des Champs Elysee and Philippe Herreweghe in the Amsterdam Concertgebouw and he sang Handel arias with the MDR at the Handelfestspiele Halle and Leipzig Gewandhaus. Other highlights include Beethoven’s Missa Solemnis under Herreweghe in Madrid, Mozart’s Requiem in Salzburg, Handel’s Messiah with the Orchestra of the Age of Enlightenment in Rome, Bach’s Weinachts-Oratorium with the Academy of Ancient Music under Hogwood in Munich, Tippett’s A Child of Our Time with the NDR Hannover, Purcell’s Fairy Queen under Bicket, Britten’s Serenade for Tenor, Horn and Strings with the Stavanger Symphony Orchestra, Britten songs with Jeffrey Tate in Turin and Les Illuminations for the Gergiev Festival in Rotterdam.Amsterdam and Mozart arias with Sir Roger Norrington and the Scottish Chamber Orchestra at the 2006 BBC Proms. He has sung the role of Ferdinand in scenes from The Tempest for VARA Radio at the Concertgebouw,
 
His opera credits include Don Ottavio (Don Giovanni) with Mid Wales Opera, Ferrando (Cosi fan tutte) with Grange Park Opera, Giocondo (La Pietra del ParagoneCurlewRiver) for New Chamber Opera and principal roles for Bampton Classical Opera, The Early Opera Company and Opera Restor’d. He made his debut with the Bavarian State Opera as Oronte (Alcina) and sang Arbace in Idomeneo with Europa Galante and Fabio Biondi.) for Fribourg Opera and Opera Rennes, Madwoman (
 
He was a principal with the Hamburg State Opera over four seasons where his roles included Oronte (Alcina), Flute (A Midsummer Night’s Dream), Jaquino (Fidelio), Arbace (Idomeneo), Steuermann (Der Fliegende Holländer), Arnalta/Lucano (L'incoronazione di Poppea), the Novice (Billy Budd), the Almoner (Dialogues des Carmelites), the Four Servants (Les Contes d’Hoffmann),Tamino (Die Zauberflöte) and Ferrando (Cosi fan tutte).
 
Forthcoming appearances include: debut with the Theater an der Wien, return to Hamburg as a guest artist for Tamino and Narraboth (Salome), debut with Opera North as Peter Quint in their new production of The Turn of the Screw and debut at the Salzburg Festival in the new production of Elektra.
Image Credit: Clive Barda
Roderick Williams, baritone

Roderick Williams is active in the opera house, on the concert platform and in recital, encompassing a repertoire from the baroque to world premieres.

He has enjoyed close associations with Opera North and Scottish Opera, and has also worked for English National Opera and the Royal Opera House Covent Garden. As at home in contemporary music as in the standard repertoire, he has taken roles in the world premieres of Sally Beamish's Monster (for Scottish Opera), David Sawer's From Morning to Midnight and Martin Butler's A Better Place (for English National Opera) and Alexander Knaifel's Alice in Wonderland and Michel van der Aa's After Life (for Netherlands Opera). Further contemporary roles include Jaufre Rudel in Saariaho's L'amour de loin (ENO), Eddie in Mark-Anthony Turnage's Greek (BBC) and roles in Tippett's The Knot Garden (Barbican) and Birtwistle's The Second Mrs Kong (Royal Festival Hall).

He has taken major roles in conductor Richard Hickox's semi-staged performances of opera, including Britten's Gloriana (Aldeburgh, 2003), Walton's Troilus and Cressida and most of the Vaughan Williams operas.  Other concert performances include Henze, Strauss, Stravinsky and Wagner (Donner in Das Rheingold for ENO).

He is an accomplished recital artist who can be heard at Wigmore Hall, at many festivals, and on Radio 3, where he has appeared on Iain Burnside's 'Voices' programme.  His numerous recordings include Vaughan Williams, Berkeley and Britten operas for Chandos, and an extensive repertoire of English song with pianist Iain Burnside for Naxos. Roderick Williams is also a composer and has had works premiered at the Wigmore and Barbican Halls, the Purcell Room and live on national radio.

Iain Burnside, Piano
Iain Burnside enjoys a unique reputation as pianist and broadcaster, forged through his commitment to the song repertoire and his collaborations with leading international singers. In recent seasons such artists have included Galina Gorchakova, Ailish Tynan, Lisa Milne, Rebecca Evans, Joan Rodgers, Susan Gritton and Yvonne Kenny; Susan Bickley, Ann Murray and Sarah Connolly; John Mark Ainsley, Mark Padmore and Andrew Kennedy; Roderick Williams, Christopher Maltman and Bryn Terfel.
 
His wide recording portfolio reflects Iain’s passion for British music and has recently included the ground-breaking project, The NMC Songbook.
 
Acclaimed as a programmer, Iain has devised a number of innovative recitals combining music and poetry, presented with huge success in Brussels and Barcelona with the collaboration of actors such as Fiona Shaw and Simon Russell Beale. His professorial position at London’s Guildhall School has been expanded to include a directorial role, staging specially conceived programmes with student singers and pianists. He has given masterclasses throughout Europe, at New York’s Juilliard School and the Banff Centre, Canada.
 
Iain’s broadcasting career covers both Radio and TV and has been honoured with a Sony Radio Award. Following BBC Radio3’s Voices, he now presents his own Sunday morning programme Iain Burnside. Television includes The Proms, Cardiff Singer of the World, Leeds International Piano Competition and BBC Young Musician of the Year.
Oliver Coates, cello

Cellist Oliver Coates is an Artist in Residence at the Southbank Centre in London, supported by the Paul Hamlyn Foundation. He attained the highest degree result in the Royal Academy of Music's history before going on to complete an MPhil with distinction at New College, Oxford. He is now an Associate of the Royal Academy of Music.

He studied the cello with Colin Carr, Lionel Handy and Heather Harrison. He performs as a solo cellist, a chamber musician and a guest principal with the London Sinfonietta and a principal with Aurora Orchestra; he plays all kinds of classical music alongside new experimental forms - such as working with Mira Calix for Warp Records -  also writing and recording his own music, and in collaboration with other artists.

He has performed concertos and recitals across Europe and the Far East, including a tour of performances of the Dvorak Concerto in the composer's centenary year. He regularly plays the major concertos as well as the core classical repertoire of Beethoven, Brahms and Bach works for cello. He made a Wigmore Hall solo debut in 2009, playing the world premiere of a childhood Cello Sonata by Benjamin Britten. He also plays regularly in 'the house of bedlam', an electronic, instrumental and spoken word ensemble that fuses elusive elements from blues, rock and folk.

He is proud to have worked closely on new music with the most important new composers including Emily Hall, Larry Goves, David Fennessy, Anna Meredith, Chris Mayo, Matt Rogers, Charlie Piper, Mark Bowden, Mica Levi and many more. He has worked with composers such as Ades, Birtwistle, Saariaho, Lindberg, Gubaidulina and Jonathan Harvey on their music. He has also worked and recorded with artists such as Massive Attack, Goldie, Sigur Ros, Micachu and the Shapes, Shlomo and Gurrumul.

Image Credit: Jamie Campbell

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RELEASED 6 SEPTEMBER
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DESCRIPTION

This new recording spans five decades of Bennett's song-writing. It couples some of his most accessible and lyrical pieces - including the melodic Songs Before Sleep, performed by Roderick Williams and the 1920s dance rhythms of A History of the Thé Dansant - with the dramatic and rarely-performed Tom O'Bedlam's Song for tenor and cello, written for Peter Pears. The disc is completed with the enchanting A Garland for Marjory Fleming, setting the poems of an 8-year old Scottish girl writing in 1811.

Artists:

Sophie Daneman soprano
Susan Bickley mezzo-soprano
Benjamin Hulett tenor
Roderick Williams baritone
Oliver Coates cello
Iain Burnside piano

REVIEWS

GRAMOPHONE AWARD FINALIST 2011 - SONG CATEGORY

'What a treat this is! ... Another NMC gem to snap up without any further ado.'  Gramophone

'Performances are uniformly excellent; this is a beautifully judged and planned disc, an undiluted pleasure. 5 stars' The Guardian

'Roderick Williams infuses Songs Before Sleep with just the right dark warmth' BBC Music Magazine

 

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RECORDING CREDITS

The works on this disc were recorded at Potton Hall, Suffolk on 17 June and 14-15 November 2009, and 13 January 2010.

Recording Engineer         PETER NEWBLE
Recording Producer        JEREMY HAYES
Digital Editing and Mastering    JENNIFER HOWELLS

Executive Producer         COLIN MATTHEWS

Cover image: Collage by Richard Rodney Bennett (untitled)
CD & booklet design by FRANCOIS HALL

The songs on this disc are published by Novello & Co. Ltd, with the exception of Tom O'Bedlam's Song, published by Mills Music.

(P) 2010 NMC Recordings Ltd
© 2010 NMC Recordings Ltd

Catalogue number:
NMC D155
Release Date:
6 September 2010