Born in Yorkshire in 1977, Matthew Schellhorn studied in Manchester and Cambridge. His teachers included Peter Hill and Yvonne Loriod-Messiaen. He has given recitals in many major venues throughout the UK, including Wigmore Hall and the Purcell Room. He has been guest soloist at several international festivals and has performed live on numerous international radio stations.
A prominent performer of new music, Matthew Schellhorn has given numerous territorial and world premieres with recent commissions including a collection of studies by Nicola LeFanu and various works by Gráinne Mulvey, Linda Buckley and Colin Riley. He has a particularly close working relationship with Irish composer Ian Wilson of whose music he is a frequent dedicatee. In 2012, he gave the world premiere of Ian Wilson’s Flags and Emblems in the Belfast Festival with the Ulster Orchestra, followed three years later by another world premiere with the same orchestra of Ian Wilson’s Mutazione: Piano Concerto; both performances were recorded live for BBC Radio 3. In 2014, Diatribe Records released Matthew Schellhorn’s solo disc, Ian Wilson: Stations, the world premiere recording of a new commission featured on RTÉ lyric fm as one of the ‘great cycles of 21st-century piano music’.
Matthew Schellhorn’s performances of the music of Olivier Messiaen have been met with superlative critical approval. He has been regular guest soloist in performances of Trois petites Liturgies de la Présence Divine, Turangalîla-Symphonie, Réveil des Oiseaux and Oiseaux Exotiques with orchestras including the London Mozart Players. His recent disc with the Soloists of the Philharmonia Orchestra, Messiaen: Chamber Works (Signum Classics SIGCD126), received positive reviews on both sides of the Atlantic and was awarded an AllMusic Classical Editors’ Favourite.
Kate Halsall is a pianist developing and commissioning new music for a variety of projects. Recent work includes Galvanize for Hack The Barbican; Hear the City, a music app design residency with Stromatolite; Miniaturised Concertos | Maché, an album of new works for piano duo, electronics and ensemble, released May 2016. She has performed widely in the UK and internationally including for Aldeburgh Music, The Piano- Glasgow City of Music, Ockham’s Razor (Not Until We Are Lost) with music by Graham Fitkin, hcmf// with Chimera Ensemble, Sonorities, Michael Clark Dance Company (Oh My Goddess), Tête à Tête Opera Festival, Colourscape, SBC Imagine Children’s Festival, Multiple Piano Day BBC Proms, Ether Festival, Marte Festival Malaga, IUC Rome, Festival of Dimitria Thessaloniki, Montclair University New Jersey, Colorado College, Festival de la Sainte Baume Provence, Timezones Festival Italy, The Banff Centre Canada, Onassis Cultural Centre Athens.
Daniel Swain read Music at St. Anne's College, Oxford winning a Scholarship to study at the Royal Academy of Music. He graduated with the highest honours and an 'Award for Excellence', and was subsequently awarded a Junior Fellowship.
He has performed in many of the major London venues including the Wigmore, Cadogan, Queen Elizabeth, and Royal Festival Halls, the Purcell Room, the churches of St-Martin-in-the-Fields and St James', Piccadilly, the Bridgewater Hall, Manchester and the Millenium Centre, Cardiff. Daniel is a member of the Randolph Piano Trio and has also performed with such internationally acclaimed artists as cellist Alexander Baillie, Leonid Gorokhov, and Tim Hugh, the tenor Daniel Norman, and violinst Hideko Udagawa. He performs regularly in venues across the UK as a Live Music Now! Fellowship Artist, and has also given recitals in Sweden, Norway, France, Italy, and Austria.
Kate Whitley (b. 1989) is composer and pianist based in South London. She runs The Multi-Story Orchestra with Christopher Stark, which is based in a car park in Peckham as part of Bold Tendencies. She won a 2014 Borletti- Buitoni Trust Special Award and a 2013 Sky Academy Futures Fund Bursary. Her 2014 piece Alive to words by Holly McNish won a British Composers Award and was described as ‘a remarkable feat, with a genuine emotional gravity’ (The Telegraph). She has been hailed as a ‘remarkable and innovative young musician’ (Seen and Heard International), and her music described as ‘uniquely sensitive’ (Bachtrack) and ‘powerfully moving’ (Edinburgh Fringe Review). She was 2013 Music Fellow at Rambert Dance Company and 2015 New Music Programmer at Kettles Yard Art Gallery. Her music for Flight by choreographer Malgorzata Dzierzon for Rambert toured the UK in 2016. Her opera Paws and Padlocks with librettist Sabrina Mahfouz was commissioned by Blackheath Opera for their community opera programme and is about two children who get trapped in a zoo overnight. Her piece Speak out, using words taken from Malala Yousafzai’s 2013 UN speech, was commissioned by the BBC for International Women’s Day 2017.
Martin Butler was born in 1960 and studied at the University of Manchester, the Royal Northern College of Music, and Princeton University, USA. From September 1998 to July 1999 Butler was Composer-in-Residence at the Institute for Advanced Study at Princeton in the United States. He is currently Professor of Music at the University of Sussex.
Butler’s works are widely performed and broadcast both in the UK and abroad. He has received commissions from, amongst others, the BBC (O Rio was first performed at the 1991 Proms), the London Sinfonietta (Concertino and Jazz Machines, of which the latter was played at the 1995 Venice Biennale), the Schubert Ensemble (American Rounds and Sequena Notturna) and the Brighton, Cheltenham, Canterbury, Norfolk & Norwich, and Presteigne festivals. In June 1994 Mecklenburgh Opera premiered the operatic adventure story Craig's Progress, which was adapted for radio broadcast by BBC Radio 3. His chamber opera A Better Place was premiered by ENO at the Coliseum in London in July 2001, conducted by Paul Daniel, and Two Rivers for choir and orchestra was premiered by the Oxford Bach Choir and The Britten Sinfonia in December 2001. Sentinels for string quartet and viola was premiered by the Brodsky Quartet and John Metcalfe at the 2006 Brighton Festival, and William Howard gave the premiere of Funérailles, a substantial new work for piano, at the 2006 Norfolk and Norwich Festival.
From 2006-8 Butler was the Brighton Philharmonic Orchestra's first ever 'Composer in Focus'. The orchestra performed several large scale works during this period and his tenure culminated in two major performances of a new commission for the orchestra, From the Fairground of Dreams in January and March 2008 at Brighton Dome Concert Hall, conducted by Barry Wordsworth. In October 2008 Butler’s work for solo horn, Hunding, was the first music to be heard at the opening weekend of the new Kings Place concert hall in London. During 2009, his Concerto for Soprano Saxophone and Strings was premiered by Amy Dickson at the Presteigne Festival of Music and the Arts.
Butler’s substantial nonet, Rondes d’automnes was premiered at the Cheltenham Music Festival by the New London Chamber Ensemble in 2011 and was shortlisted for a RPS Award. The ensemble subsequently premiered two Mozart arrangements by Butler at the Wigmore Hall the same year.
Butler is pianist with the innovative improvising group, notes inegales and co-director of Club Inegales in London.
Following studies at the Royal Academy of Music, where he won numerous prizes and awards, and where he was recently elected an Associate, Andrew Matthews-Owen partners many of today's leading singers.
Recent performances include appearances and BBC Radio 3 broadcasts at the Southbank Centre, Wigmore Hall, Kings Place, Warehouse and the National Portrait Gallery, with singers Patricia Bardon, Claire Booth, Anne Sophie Duprels, Helen Field, Gail Pearson, Natalya Romaniw and Nicky Spence. He has also appeared in recital with French horn player Richard Watkins, percussionist Joby Burgess and the Allegri and Brodowski string quartets.
Andrew has a passionate commitment to contemporary music. He has commissioned, and given first performances, of scores by Michael Berkeley, Charlotte Bray, Philip Cashian, Laurence Crane, Jonathan Dove, Alun Hoddinott, Simon Holt and Arlene Sierra. With Claire Booth, he was invited to appear on the final Cutting Edge Tour.
Andrew's debut CD of song cycles by Alun Hoddinott was a Recommended Recording of the Month in Gramophone, and a CD of song cycles by Jonathan Dove (Naxos) was released to critical acclaim.
Born October 6th, 1977, Avebury, England; pianist and composer Matthew Bourne first came to national attention as one of the winners of the Perrier Jazz Awards in London, 2001. In the same year Bourne graduated from Leeds College of Music.
Bourne’s unique ability to create powerful imagery through an esoteric piano language along with spoken word samples earned him the Innovation Award at the BBC Radio Jazz Awards in 2002. Bourne continued to develop this methodology, delivering intense and highly personal performances at an international level – many of these becoming the focus of Bourne’s PhD research, undertaken at the University of Leeds. During this period Bourne was the recipient of the IJFO (International Jazz Festivals Organisation) International Jazz Award in 2005, performing at key international festivals in mainland Europe, Scandinavia, Canada and the USA.