Lewis, Sarah-Jane


Sarah-Jane Lewis (born 1987) is a British soprano opera singer. Lewis graduated from the Royal College of Music in 2009 and received her diploma from the Royal Academy of Music in 2013. She than finished her education at the National Opera Studio in 2014.

Lewis has won multiply awards including the Hampshire National Singing Competition in 2013, earning a prize of UK £6,000. In 2014, she won second place behind Christina Gansch at the Kathleen Ferrier Awards. The Times described Lewis as "a warm, capacious soprano, its strength powerfully contained and focused throughout its wide register. And her wonderfully serene and assured stage presence reaches out to her audience,"

As of 2015, Lewis is currently a guest artist for the Henley Symphony Orchestra.

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Bryn-Julson, Phyllis

Phyllis Bryn-Julson made her debut in 1966 in Alban Berg's Lulu Suite, with Erich Leinsdorf (an early mentor) and the Boston Symphony Orchestra in Boston, Providence, RI, and Carnegie Hall in New York. She ultimately sang with this orchestra and the New York Philharmonic Orchestra dozens of times.She made her opera debut in the 1976 world premiere of Roger Sessions' Montezuma in the lead role of Malinche. She made her highly successful debut at the proms in London the following year, again in a modern work, this time Henze's The Raft of Medusa. Later at Covent Garden, she performed in both Le Rossignol by Igor Stravinsky, and L'Enfant et les Sortileges, by Ravel. She has performed the role of Vitellia in La Clemenza di Tito several times in Germany as well as at the Mostly Mozart Festival in New York with conductor Raymond Leppard. At Peabody, she performed the role of Ariadne in Ariadne auf Naxos by Strauss.

Hannigan, Barbara


A frequent guest of the Berlin Philharmonic, Barbara Hannigan has also appeared with most of the other leading orchestras worldwide, with such conductors as Sir Simon Rattle, Pierre Boulez, Reinbert de Leeuw, Vladimir Jurowski, Esa-Pekka Salonen, Alan Gilbert, and Jukka-Pekka Saraste.

Hannigan made her own conducting debut in 2010 at the Théâtre du Châtelet in Paris, with Stravinsky’s Renard, and recently conducted the Gothenburg Symphony in a programme including Ligeti’s Mysteries of the Macabre.

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Elmer de Haas

Monk, Anna-Clare

At eighteen Anna-Clare continued her studies at the Royal Northern College of Music and National Opera Studio in London, this time with funding from the Royal Opera House, Covent Garden and the Peter Moores Foundation. From these beginnings she went on to perform with leading Opera Houses and at venues across the world. These have included English National Opera, Royal Albert Hall, London, Teatro Communale, Bologna, Teatro Victoria, Barcelona, Welsh National Opera, Herodes Atticus, Athens, Scottish Opera, Engilsh Touring Opera, Teatro Acrimbaldi, Milan, Lyric Opera House, Baltimore, City Hall, Hong Kong, Malmo Koncerthus, Sweden, Falconer Salen, Copenhagen, Cincinnati Opera House and Aix-en-Provence Festival, France.

Ross, Elise


Elise Ross has long been acclaimed internationally for her interpretations of contemporary music. She began her professional career with Italian composer Luciano Berio, premiering his opera Passaggio in Rome, and touring his chamber music throughout Europe with the London Sinfonietta. She went on to collaborate with some of the most influential composers of the 20th century, including Olivier Messiaen, Witold Lutoslawski, Sylvano Bussotti and Pierre Boulez.

Elise Ross has appeared as soloist at most of the major European and American music festivals, including the Warsaw festival, the Holland festival, the Maggio Musicale in Florence, the Biennale in Venice, the Royan, La Rochelle and Avignon Festivals in France, as well as the Tanglewood Festival in Massachusetts, and the Hollywood Bowl in Los Angeles, performing orchestral and chamber music repertoire from the 19th and 20th centuries. She is widely recognized for her interpretation of the role of Marie in Alban Berg's Wozzeck, which she performed for Scottish Opera in Glasgow, at the Edinburgh Festival, and for the Los Angeles Music Center Opera, in two separate productions by David Alden, also performing the Drei Bruchstucke concert suite which Berg extracted from that opera. She is known for her performance in the role of Anna in Kurt Weill's Die Sieben Todsunden, which she recorded for BBC television and for EMI under the direction of Sir Simon Rattle, and performed in Helsinki, Finland and Los Angeles under the direction of Essa-Pekka Salonen.

Among her other operatic roles are Cherubino in Mozart's Le Nozze di Figaro, Prince Orlovsky in Johann Strauss' Die Fledermaus, Melisande in Debussy's Pelleas et Melisande, and Marcello Panni's opera Hanjo, directed by Robert Wilson. She has performed her critically acclaimed production of Arnold Schoenberg's Pierrot Lunaire throughout Europe and the USA, a collaboration with composer Sylvano Bussotti, who also designed her costume for the work.

Elise Ross' recordings include Berio's Passaggio and Air, O King and El Mar la Mar, Sylvano Bussotti's La Passion selon Sade, and Kurt Weill's Die Sieben Todsunden.

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Kennedy, Raphaele


Passionate about early music, Raphaële Kennedy has worked with Jordi Savall, A Sei Voci, the European William Byrd Ensemble, Les Paladins, Les Demoiselles de Saint-Cyr and many others, with whom she has performed at many major festivals and made over thirty recordings.

While continuing her development within the sphere of early music, in the past few years she has become a sought-after performer of contemporary music: she has worked with composers including Kaija Saariaho, Jean-Baptiste Barrière, Philippe Leroux, Mauro Lanza and Ben Foskett, and appeared at New York's Carnegie Hall, Lucerne Festival, Salzburger Festspiele, Musica Strasbourg, Integra Copenhagen and IRCAM. Moreover, Robert Pascal, Pierre-Adrien Charpy and Matteo Franceschini have all dedicated works to her.

She is a member of Solistes XXI (conducted by Rachid Safir) and a guest artist of TM+ ensemble, conducted by Laurent Cuniot. With composer Pierre-Adrien Charpy she manages Da Pacem, a specialist early music ensemble.


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Anne-Marie Berthon

Angel, Marie


Marie Angel is one of today’s most thrilling dramatic sopranos. Born in Pinnaroo, South Australia, Marie trained at the Adelaide Conservatorium with Donald Munro. She is known for the versatility of her voice, her stage presence and her extraordinary ability to move audiences.

As a soprano, as well as having performed operas in the classical repertoire she is also known through contemporary classical composers including Mauricio Kagel, Bruno Maderna, Michael Tippett, Harrison Birtwistle, Philip Glass, Louis Andriessen, Michael Nyman, Bernd Alois Zimmermann, and John Cage. She has appeared in films by Peter Greenaway and has participated in the recording of the opera Facing Goya, by Michael Nyman. She has also performed with the Michael Nyman Band as a vocalist at some of his concerts.

Marie's career highlights include revolutionary work as a founder member of the Opera Factory, in London and Zurich, singing the roles of Poppea (Monteverdi), Iphigenia (Gluck), Fiordiligi, Donna Anna, the Contessa Almaviva, and Pretty Polly (Birtwistle); the latter leading to her collaborating with Sir Kenneth MacMillan (Seven Deadly Sins). Seeking further challenges she created the roles of Morgan le Fay in Birtwistle’s Gawain (ROH), Esmeralda in Rosa (Greenaway and Andriessen, Netherlands Opera), Ingrid in Esmee (Lovendier, Holland Festival), Cixi in Hotel de Pekin (Jeffs, Nationale Reisoper) and Soprano 2 (Facing Goya, Nyman).

Howells, Helen-Jane


Following an early career in the jazz world, soprano Helen-Jane Howells trained at the Royal Welsh College of Music and Drama and the Royal College of Music. She now studies with Jennifer Smith.

Helen-Jane has sung Eve in The Fairy Queen for Glyndebourne Festival Opera, at the Opéra Comique and Brooklyn Academy of Music with Les Arts Florissants and William Christie, and has appeared as Amore in L’Incoronazione di Poppea for Glyndebourne on Tour.

On the concert platform she has performed in  The Messiah in Spain, St Matthew Passion in Lausanne and Wroclaw, and The Fairy Queen in Beaune with the Gabrieli Consort under Paul McCreesh. She has sung Bach's cantatas and Magnificat with the Academy of Ancient Music conducted by Richard Egarr, and Beethoven's Mass in C at the Three Choirs Festival. Other engagements have included the St Matthew Passion with The Bach Choir under David Hill and a staged version with the Orchestra of the Age of Enlightenment with Suzi Digby. Amongst recent projects are the St John Passion with the Kristiansand Symphony Orchestra and Nicholas Kraemer, Bach's B Minor Mass with The Bach Choir and David Hill, and Purcell's King Arthur with Ensemble La Fenice and Jean Tubéry.

Helen-Jane has recorded Handel and Vivaldi with La Nuova Musica for Harmonia Mundi USA, and Joseph Phibbs' The Canticle of the Rose with the Navarra Quartet for NMC.

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Paul Foster Williams

Rozario, Patricia


Born in Bombay, Patricia Rozario studied at London’s Guildhall School of Music, winning the Gold Medal. Her unique voice and artistry has inspired several of the world’s leading composers to write for her, most notably Arvo Pärt and Sir John Tavener, who alone has now written over thirty works for her, making their collaboration unique in the contemporary field. She has sung with Solti, Ashkenazy, Jurowski, Belohlavek, Gardiner, Pinnock and Andrew Davis, sung opera at Aix-en-Provence, Amsterdam, Lyon, Lille, Bremen, Antwerp, Wexford, ENO, Glyndebourne and Opera North, and given concerts in North America, Canada, Russia, the Far East, Australia, throughout Europe, and at all the major UK venues.

Highlights this season and beyond include performances with the London Philharmonic Orchestra at the Royal Festival Hall with Vladimir Jurowski, recitals at Bath International Festival, Wigmore Hall and performances of ‘Faultline’ with the Shobana Jeyasingh Dance Company across the UK, Sweden and India.

Patricia Rozario was awarded the OBE in the New Year’s Honours, 2001 and the Asian Women’s Award for achievement in the Arts, 2002.

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Barry, Elaine

Elaine Barry was a soprano whose career, especially notable in the field of new music, was twice interrupted by serious illness. Born Elaine Hooker in London, she was educated at Wimborne school, Dorset, where she took part in many musical and dramatic performances. She went on to the Royal College of Music (RCM), London, where she studied voice with Ruth Packer and piano with Ian Lake, and was inspired by the conductor and coach James Lockhart, a lifelong friend. After the RCM she took a traditional path for young singers, joining the Glyndebourne Festival chorus, and then Welsh National Opera (WNO) chorus, performing the roles of Barbarina with WNO and Servilia in La Clemenza di Tito at the 1968 Wexford festival. But rather than continuing in opera, she became a consort singer and a concert soloist.
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