BIOGRAPHY

 

Joseph Hyde’s background is as a musician and composer, working in various areas but in the late 90s – and a period working with BEAST in Birmingham (UK) – settling on electronic music, with or without live instruments. Since then, his work has diversified: whilst music and sound remain at the core of his practice, collaboration has become a key concern, particularly in the field of dance. H ere he works both as a composer and in a broader capacity working with video, interactive systems and telepresence. His solo work has also broadened in scope to incorporate these elements: He has made a series of audiovisual ‘visual music’ works, and is currently engaged in a long term study of (early abstract cinema artist) Oscar Fischinger’s creative process, supported by the UK’s Arts and Humanities Research Council. His interest in movement and interactive systems has led him to an intensive exploration of the revolutionary Microsoft Kinect sensor, through several collaborative arts projects and theoretical writings.

Hyde also works as a lecturer/academic, as Professor or Music at Bath Spa University in the UK – as well as teaching on the BA Creative Music Technology, he runs the MMus in Creative Sound and Media Technology and supervises a number of PhD students. Since 2009 he has run a symposium on Visual Music at the university, Seeing Sound.