The Quatuor Diotima is one of the most in-demand chamber ensembles in the world today. It was formed in 1996 by graduates of the Paris National Conservatory.
The quartet’s name evokes a double musical significance: Diotima is at once an allegory of German romanticism – Friederich Hölderlin gives the name to the love of his life in his novel Hyperion- and a rallying cry for the music of our time, brandished by Luigi Nono in his composition Fragmente-Stille, an Diotima.
The Quatuor Diotima has worked in close collaboration with several of the greatest composers of the late twentieth century, notably Pierre Boulez (who revised his Livre pour Quatuor for them) and Helmut Lachenmann. The quartet regularly commissions new works from the most brilliant composers of our time, including Toshio Hosokawa, Miroslav Srnka, Alberto Posadas, Mauro Lanza, Gérard Pesson, Rebecca Saunders and Tristan Murail.
Reflected in the mirror of today’s music, the quartet projects a new light onto the masterpieces of the 19th and 20th centuries, especially Beethoven, Schubert, the Second Viennese School (Schoenberg, Berg and Webern), as well as Janáček, Debussy, Ravel and Bartók.
In the quartet’s rich discography one finds, notably, their interpretations of the Second Viennese School and the definitive version of the Livre pour Quatuor by Pierre Boulez (on Megadisc). Their recordings are regularly praised and awarded by the international musical press: French magazine Diapason’s Diapason d’Or (five awards including two Best of the Year), Classica (Best of the Year), Télérama, Grammophone (Editor’s Choice), The Strad, and many others.