NMC Recordings, the leading charity record label devoted to the promotion of British contemporary classical music, seeks to appoint two Trustees to help us develop and deliver our strategic plans for securing our financial future, acting as an occasional advisor to our small team.
We are looking for two people who are passionate about the arts and who are interested in taking this award-winning organisation to a new phase in its 30-year history. As a trustee you will get to put your existing skills into practice and learn new ones supported by other trustees.
We have two vacancies and are looking for:
- One Trustee with specialist fundraising knowledge
- One Trustee with campaigning and charity legislation knowledge
Come along to ISM's event, The Empowered Musician, a day of discussion and discovery, with innovative musicians and leading music industry experts sharing their experiences, crucial insider knowledge and essential tips for success. It will take place on Thursday 4 October 2018 at Milton Court in London.
Speakers lined up for the event include NMC's General Manager Eleanor Wilson, Darren Henley (Arts Council England), Becky Farrell (IMG Artists UK) and Chris Carey (previously EMI and Universal Music) among others...
Deborah Annetts, Chief Executive of the Incorporated Society of Musicians said:
‘Today’s music industry and the advancements in technology, the growth of the digital space and the complexities of contracts, copyright and royalties amongst other vital components brings unique opportunities and challenges for the music profession like never before.
We invite all performers and composers working in every genre to join us on 4 October for inspiring, empowering and dynamic discussions about what it means to be a musician in 2018 and beyond: digital futures and streaming platforms, essential legal and business skills, how to make your music projects a reality, and how to stay well throughout your career.’
This event will bring together hundreds of musicians and leading practitioners from across the industry and will include live music from Fitkinwall, Beatbox Collective and Riot Jazz. You will have the opportunity to network over refreshments, lunch and post-event cocktails, all of which are included in the ticket price.
We introduce you to the best recent releases from the contemporary classical world in our new playlist, NMC Curates. We will feature new music from the NMC Recordings catalogue and beyond, with new tracks added bi-weekly. Follow to stay updated.
We’re partnering with National Youth Choirs of Great Britain on their Young Composers Scheme, a new initiative which aims to annually identify and develop four talented composers aged 18-25 who are passionate about creating new music for vocal ensembles.
The scheme will run over one year and will offer residential courses, mentoring, workshops and performance showcases. Professional mentoring will be led by NYCGB Artistic Director Ben Parry and NMC composer Anna Meredith.
The deadline for applications is Monday 17 September 2018, for guidelines and application forms, visit the NYCGB page.
Oliver Knussen "irreplaceable mentor to his fellow composers"
We are deeply saddened by the news of the death of composer/conductor Oliver Knussen at the age of 66. Here is an extract from the obituary Colin Matthews (NMC's Executive Producer, and good friend of Olly's) has written for the Guardian.
Oliver Knussen, who has died aged 66, was a towering figure in contemporary music, as composer and conductor, teacher and artistic director. The relatively small size of his compositional output conceals music of exceptional refinement and subtlety – a few bars of Knussen may have more impact than whole movements by lesser composers.
Besides definitive interpretations of his own music, he must surely have given more first performances than any other conductor, alongside an outstanding body of recordings. He was the central focus of so many activities, and an irreplaceable mentor to his fellow composers, who constantly sought and relied on his advice and encouragement ...
But any sense of Olly (as everyone knew him) belonging to the establishment would have been an illusion. He was too big a figure to fit into any easily defined category. He had a voracious appetite for knowledge, with a special love for films – he was a Hitchcock obsessive and became friends with Jim Jarmusch – and painting: he had a fascination for obscure artists such as Joachim Patinir and Ivan Bilibin. But above all his consuming passion was for music. I can think of no composer into whom he could not offer insights, although his taste was very much for the 19th and 20th centuries. It was a love that could and did get in the way of composing: it was as if every bar that he wrote was measured against all the music that he knew, and this explains the almost painfully slow process by which his music was written, and the number of fragments left behind.
He had close friendships with most of the major 20th-century composers – Takemitsu, Hans Werner Henze, Elliott Carter (whose late works he championed), Mauricio Kagel, Harrison Birtwistle and Alexander Goehr, among many others. He even established a relationship with Karlheinz Stockhausen, and loved to tell the story of how, when he said to him “You can call me Olly”, the reply came back “You can call me Stockhausen.”
Although he leaves a wonderful legacy of performance, it is primarily as a composer that he would want to be remembered. It makes it all the more regrettable that, although he gave less time to conducting, due to the ill health which dogged his last years, this did not mean – as he said to me in hope only a couple of months ago – that he would have time to write the music that was in his head, and which would undoubtedly have taken him in new and rewarding directions.
Full obituary on the Guardian website here
photo by David Sillitoe
Debut Discs is coming back for a second series and we need your help to make it happen!
Debut Discs is NMC’s acclaimed showcase for younger composers, enabling the release of their first full-length portrait album and helping them to secure exciting new professional opportunities.We launched the first series of Debut Discs in 2012 with great success, releasing 13 albums over 5 years which led to residencies, performances, commissions and academic opportunities for the composers involved.
We’re now thrilled to be extending the series, and plan to release at least a further 8 albums between 2018 and 2021.The first will be Philip Venables’ Below the Belt later this month, and future albums are planned from Joanna Bailie, Edmund Finnis, Linda Buckley, and David Fennessy - with more names to be announced.
A project on this scale requires a great deal of resources, and we need your help to make this happen. A donation of any size to our Debut Discs appeal will make a huge difference to our work with these composers, and allows us to nurture their future careers at a critical stage in their professional development. We’ve already raised 70% of our fundraising target, and with your help we will be able to inspire audiences worldwide with the work of these exciting composers.
If you felt able to make a donation, we would be very grateful. You can donate online here:
For a short time only, for every £1 you donate to NMC, Arts Council England will donate another £1. This means your donation will be doubled, and enable NMC to do even more for new generations of composers and listeners. Don’t forget, you can also boost your donation by completing the Gift Aid declaration.
Thank you for your support! If you have any questions, please don't hesitate to get in touch with Alex at firstname.lastname@example.org or 020 3022 5888.