ARTISTS

Rambert Orchestra

Rambert Orchestra

The Rambert Orchestra is a part of the Rambert Dance Company.

Founded by Marie Rambert in 1926, the Company has sustained her pioneering commitment to choreography and developing dancers as artists, leading the way for over 85 years. The vision of this energetic Polish woman ensured that dance as an artform took root and blossomed in this country, and Rambert’s influence now extends across the world.

Marie Rambert was heavily influenced by her work with Diaghilev, Stravinsky and the Ballet Russes. She stressed the value of collaboration between choreographer, composer and artist and we continue in that tradition, routinely commissioning composers and artists alongside new choreography.

Today, the Company thrives on its unique ability to share with audiences the widest range of repertoire: works from our rich heritage as the UK’s oldest dance company; new works and re-stagings by choreographers from all over the world, including those who may be less well-known in the UK, and landmark dance from the 20th century. Bold, risk-taking, agile and beautiful, their dancers combine rigorous technique and artistry with an extraordinary ability to challenge and entertain. The Company is also renowned for its use of live music and is the only UK-based contemporary dance company always to tour with an orchestra.

Fidelio Trio

Fidelio Trio

The …virtuosic Fidelio Trio… (Sunday Times) are Darragh Morgan, violin, Adi Tal, cello and Mary Dullea, piano.  Shortlisted for the 2016 Royal Philharmonic Society Music Awards, the Fidelio Trio are enthusiastic champions of the piano trio genre, performing the widest possible range of repertoire on concert stages across the world; they are broadcast regularly on BBC Radio 3, RTÉ Lyric FM, WNYC, NPR and featured on Sky Arts documentaries; they have an impressive list of commissions and first performances from the leading and newest composers and have a large discography of highly acclaimed recordings. 

Since their debut at London’s Southbank Centre, they have appeared at the Wigmore Hall and Kings Place, at festivals from Brighton and Cheltenham to St. Magnus, and from Gregynog to Huddersfield. They regularly perform across the Irish Sea at the National Concert Hall, Dublin, Kilkenny Festival and Belfast Festival at Queens as well as overseas in Shanghai, Porto, Paris, Venice, Florence, Johannesburg, New York City, Princeton, San Francisco and Boston.

Their extensive discography includes Ravel and Saint-Saëns for Resonus Classics; Philip Glass Head On; Korngold and Schoenberg (Verklärte Nacht arr. Steuermann) for Naxos; the complete Michael Nyman Piano Trios for MN Records; multiple releases on NMC, Delphian Records including portrait CDs for composers such as Luke Bedford and Michael Zev Gordon. Their recent release of French Piano Trios for Resonus was a Gramophone Magazine Critic’s Choice.

Keen to ensure the future development of the piano trio, The Fidelio Trio work closely with composition and performance students at institutions across the UK and all over the world including the Peabody Conservatory, Curtis Institute, NYU, NAFA Singapore, and Stellenbosch Conservatorium South Africa. They have been artists-in-residence at St. Patrick’s College Dublin City University, University of Illinois at Champaign-Urbana, and the State University of New York, SUNY.

The Fidelio Trio are constantly commissioning new works, giving first performances, and importantly, further performances to introduce them into the repertory. Composers that the Trio have worked closely with include Toshio Hosokawa, Charles Wuorinen, Johannes Maria Staud, Michael Nyman, Gerald Barry, Donnacha Dennehy, Joe Cutler, Evan Ziporyn, Simon Bainbridge, Judith Weir… to name but few.

Inspirational musicians The Fidelio Trio have collaborated with include Nicholas Daniel (oboe), Richard Watkins (horn), Joan Rodgers and Patricia Rozario (soprano), Rachel Roberts (viola), and with spoken word, author Alexander McCall Smith and T.S. Eliot prizewinning poet Sinéad Morrissey.
 
2017 saw tours of USA, South Africa, Zimbabwe and China, many festival appearances including a Schubert cycle at Kilkenny Arts Festival. Collaborations included new piano trio commissions from Kevin Volans and Alexander Goehr and a world premiere recording of two works by Philip Glass for his label Orange Mountain. This year they continue their residency at the National Concert Hall in Dublin; a further tour of China and recordings of Gerald Barry’s Chamber Music for Mode Records and a second instalment of French Piano Trios (Chausson, Fauré and Satie) for Resonus Classics.
  
They are Artistic Directors of their annual Winter Chamber Music Festival at Belvedere House, Dublin City University and continue to be passionate in their advocacy for the piano trio across the world.
 

 

Image Credit: 
Hugo Glendinning

Onyx Brass

Onyx Brass
Chamber Ensemble

Celebrating its 25th anniversary in 2018, Onyx Brass continues to be the leading light in establishing the brass quintet as a medium for serious chamber music, inspired by the pioneering early years of the Philip Jones Brass Ensemble. To this end, the group has commissioned and performed the world premieres of well over 150 new works, with many more in the pipeline for performance and recording.
It is a point of justifiable pride for the group to play authentic and sometimes challenging music, yet remain a group which is utterly accessible to audiences: there is no need to “dumb down” when programmes are presented in the entertaining and articulate fashion that has become the group’s trademark. A brief snapshot of the composers whose work Onyx has premiered includes David Sawer, Thea Musgrave, Stuart MacRae, Michael Nyman, Joe Duddell, John Tavener, Judith Bingham, John McCabe, Tarik O’Regan, Cheryl Frances-Hoad, Timothy Jackson, Gabriel Jackson, Giles Swayne, Graham Lynch, Steve Martland, Jonathan Dove, John White, Paul Mealor, Julian Philips, Rory Boyle, Kenny Wheeler, Guy Barker, Gwilym Simcock, and Trish Clowes.
Onyx Brass has toured extensively: there are very few corners of the UK that remain unvisited! The group has also performed regularly at festivals and concert halls in the USA, Ireland, France, Sweden, Germany, Portugal, Switzerland, Nigeria, Bermuda, and Borneo to unanimous critical acclaim, acclaim that has been similarly forthcoming for its recordings. Its albums are notable for their innovative and entertaining programming: for example, pairings of Bach and Shostakovich fugues, contemporary music linked with the renaissance music that inspired it, and a partnership with the extraordinary baritone voice of Mark Stone. BBC Music Magazine described the group as “easily the classiest brass ensemble in Britain”, Gramophone hailed “some of the most thrilling chamber brass-playing of its kind” and the Observer described “an eclectic ear opener of a disc, virtuosically played”. Onyx and its recordings are also regularly featured on BBC Radio 3.
Education is a large part of the remit of Onyx Brass: they have led workshops and master-classes in an enormous variety of contexts that range from Primary School reception classes to the Juilliard School of Music in New York. They have held various residencies, including at Radley College, The Royal Welsh School of Music and Drama, Westminster Abbey Choir School and Imperial College, University of London.


Working with singers also forms a central part of Onyx’s work: the group recorded the music of Parry with the Westminster Abbey Choir, which reached the top spot in the specialist classical chart. The group has worked regularly with the BBC Singers and the Choir of St. Bride’s, Fleet Street, as well as superb amateur choirs such as the Brighton Festival Chorus and the choir of Selwyn College, Cambridge. Much of this work has been under the auspices of the remarkable John Armitage Memorial trust, with whom Onyx Brass has been affiliated since its inception.


The individual members of the group are also active orchestral musicians: they hold permanent positions in the BBC Symphony Orchestra, London Symphony Orchestra, the Orchestra of English National Opera, the Royal Ballet Sinfonia and the English Chamber Orchestra.


During 2014, Onyx Brass toured the country, bringing contemporary brass music to bandstands, parks and public spaces as part of the Tour de Brass! The project was generously supported by PRS for Music’s New Music Biennial Scheme, and the Tour passed through London’s Southbank Centre and Glasgow UNESCO City of Music for special performances coinciding with the Commonwealth Games. The featured commission, Bronze and Iron by David Sawer, was recorded live for by BBC Radio 3 and released on NMC Recordings.

Image Credit: 
Benjamin Ealovega

Thom, Eloisa-Fleur

Eloisa-Fleur
Thom
Violin

Eloisa-Fleur Thom is a prize-winning violinist, director and curator. Highlights of her career so far have included performing J.S Bach's Concerto for two violins with the celebrated violinist Maxim Vengerov, and chamber music with Radiohead's Jonny Greenwood (LCO soloists). In the past few years Eloisa-Fleur has given performances at the Wigmore Hall, Kings Place, the Ashmolean Museum's 'Stradivarius' exhibition, Leeds International Concert Series, St George’s Bristol, been broadcast live on BBC Radio 3, and collaborated with Rambert Dance Company & composer Kate Whitley. Eloisa-Fleur is the Artistic Director and Leader of 12 ensemble, a virtuosic un-conducted string orchestra of a dozen young elite musicians who are currently taking the London music scene by storm. They recently performed at the Philharmonie de Paris in 2016 alongside Max Richter. Eloisa-Fleur held a 2015/16 creative residency at Heima in Seydisfjordur, Iceland.

Zaccardelli, Asher

Asher
Zaccardelli
Viola

Asher studied at St Mary's Music School in Edinburgh before going on to the Royal Academy of Music in London, where he studied with Garfield Jackson.  Since graduating, he has worked with various orchestras around the UK as a freelance violist including, most recently, the English Chamber Orchestra, Scottish Chamber Orchestra, Aurora Chamber Orchestra, the 12 ensemble (Principal Viola) and the Scottish Ballet Orchestra (Principal Viola).  Asher has been violist of the Ruisi String Quartet since 2014 and performs regularly around the UK and overseas as a chamber musician..

Image Credit: 

Hoskins, Paul

Paul
Hoskins
Conductor

Paul Hoskins is a champion of new music and has led the music at Rambert since 1996, helping to enhance the Company’s reputation as an important force in new music. In 2004 Paul won the Time Out award for outstanding contribution to dance, following the UK première of Steve Reich's Triple Quartet and a tour of Thomas Ades' Living Toys. In 2009 Paul launched the Rambert Music Fellowship, and the Rambert Orchestra, receiving critical acclaim for performances of Julian Anderson's The Comedy of Change and Mahler's orchestration of Schubert'sDeath and the Maiden.

Paul has worked with the BBC Concert Orchestra, BBC National Orchestra of Wales, City of Birmingham Symphony Orchestra, Britten Sinfonia, English Sinfonia and Northern Chamber Orchestra, and was Principal Conductor of Cambridge New Music Players in the 1990s.

Paul works as a guest with many international ballet and opera companies in Europe and the USA. In recent years he has also conducted the premiere of Robert Moran’sAlice in Wonderland for Scottish Ballet, a new production of Swan Lake for San Francisco Ballet, and a variety of programmes for New York City Ballet.

Quinta

Quinta
Musical Saw

is an experimental music-maker and multi-instrumentalist, with particular interests in improvisation, non-conventional scoring, electronic interfacing and new instruments. She explores extended techniques (mainly for strings) and graphic notation, and she mainly plays keyboards, violin, viola, and musical saw, but dips into a bigger box of tricks including lever harp, ukelele, clarinet, recorder, melodica, and glockenspiel when adventures call.

She was 2015/6 Music Fellow at Rambert Dance Company, and is one of the three British Council/PRS 2016/7 China Musicians-in-Residence. She is co-founder of Music in Detention and a long-time collaborator with Music in Prisons. She also writes for dance, circus, theatre, TV and film.

MEDIA

Flux - new music for dance

Flux
  • Total duration: 55'46
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  • MP3 | 320K 44.1 KHz
    100.0 MB
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  • FLAC 16 | 16bit 44.1 KHz
    222.00 MB
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  • FLAC 24 | 24bit 88.2 KHz
    891.00 MB
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  • Album Booklet PDF | FREE

DESCRIPTION

Rambert Orchestra
Paul Hoskins conductor

Fidelio Trio
Onyx Brass
Eloisa-Fleur Thom violin

Asher Zaccardelli viola
Quinta

 

This album showcases five works by past Rambert Fellows. Gavin Higgins' Atomic Cafe performed by the Rambert Orchestra explores the horror of nuclear Armageddon and is inspired by an 1982 public information film which gave practical, yet in all likelihood quite useless, advice on surviving a nuclear attack. The starting point for Mark Bowden's piano trio Airs No Oceans Keep was Emily Dickinson’s poem ‘I Think that the Root of the Wind is Water’. Exploring the theme of oceanic weather, the piece blends airy sounds, melodic flurries and sudden crashes. Cheryl Frances-Hoad's The Madness Industry for brass quintet was inspired by Jon Ronson’s best-selling book The Psychopath Test. She mimics psychopathic characteristics with frequent changes of time signature, violent outbursts, and a relentless pace. Quinta (stage name of composer Katherine Mann) is a frequent collaborator with Radiohead's Philip Selway. Her otherworldly piece Themistocles is Captured is in three short movements and is performed by the composer on violin, electronics and a Magnetic Resonator Piano (an acoustic piano with a series of electro-magnets set along its strings). Also on this album, fresh from her debut full-length album on NMC, is Kate Whitley's Duo for Violin and Viola, written for a choreography inspired by a sculpture called 'Wrestlers' by Henri Gaudier Brzeska.

REVIEWS

'Haunting electronica ... an ambitiously expansive piano trio ... [and] a succinct piece played by Onyx Brass with perfectly balanced wit and melancholy' The Guardian ★★★★

'Another NMC treat' Gramophone

'Showcases the incredible diversity of music written for dance ... compelling' BBC Radio 3 'Record Review'

FUNDING

NMC would like to thank Paul Hoskins and all at Rambert Dance Company for their assistance in the making of this album.

RECORDING CREDITS

The Madness Industry  and Atomic Café  were recorded 13-14 June 2016 at All Saints, East Finchley, London. Duo for Violin and Viola was recorded 20 April 2016 at All Saints, Tooting London. Airs No Oceans Keep was recorded 19 February 2015 at Menuhin Hall, Yehudi Menuhin School, Cobham, Surrey.

DAVID LEFEBER Recording Engineer & Producer

SUSANNE STANZELEIT Digital Editing

 

Thermistocles Is Captured was recorded during August 2016 at the Centre for Digital Music, Queen Mary University of London (MRP) and in Quinta's home studio.

QUINTA Recording Engineer & Producer

Catalogue number:
NMC D232
Release Date:
19 May 2017