ARTISTS

Exaudi

Exaudi
Since its debut in 2002, EXAUDI has emerged as one of Britain’s leading young contemporary music ensembles. With a repertoire that encompasses Ockeghem and Ferneyhough, Tallis and Xenakis, EXAUDI has performed to great acclaim throughout the UK and in Europe, and established a ground-breaking and much-praised discography on NMC.
 
Founded by James Weeks (director) and Juliet Fraser (soprano), EXAUDI is based in London and draws its singers from among the UK’s brightest new vocal talents. The newest new music is at the heart of EXAUDI’s repertoire, and it has given UK and world premières of Sciarrino, Rihm, Finnissy, Skempton, Richard Ayres, Christopher Fox and James Saunders among many others. EXAUDI is particularly committed to the younger generation of composers currently in their twenties and early thirties, and is proud to champion the work of major emerging voices including Evan Johnson, John Habron, Chung Shih Hoh, Philip Howard, Dorothy Ker, James Weeks and Claudia Molitor.
 
Collaboration with other leading soloists and ensembles is an increasing feature of EXAUDI’s schedule, including appearances with ASKO Ensemble, Apartment House, Anton Lukoszevieze, Rohan de Saram, Irvine Arditti and Fretwork.
 
EXAUDI has appeared at many leading UK venues and festivals, including Vale of Glamorgan, Aldeburgh, Spitalfields and Huddersfield Contemporary Music Festivals, Dartington International Summer School and London’s South Bank and National Portrait Gallery. EXAUDI broadcasts regularly on BBC Radio 3 and has released critically acclaimed recordings of Michael Finnissy, Elisabeth Lutyens and Christopher Fox on NMC.  EXAUDI has twice been shortlisted in the Ensemble category of the RPS Awards, in 2006 and 2007.
Image Credit: 
Andrew Post

Weeks, James

James
Weeks
director
James Weeks (UK, 1978) is a composer based in Gateshead and London. His work is typically focused on small groupings of voices and instruments, exploring elemental or primary musical materials and processes, either left bare or layered into polyphonic structures of considerable density. He has strong interests in installed work, canon, modality, open forms and scorings, indeterminacy, microtonality, notational unorthodoxy and plain-speaking. Major works include Schilderkonst (mixed ensembles, 2003-4), TIDE (ensemble and electronics, 2007-10), the South London Harmonies series (for various ensembles, 2008-11), Mala punica/Walled Garden (eight voices and six instruments, 2008-9/2015), The Freedom of the Earth (chorus and instruments, 2011), Three Trios (piano trio and tapes, 2010-11) and Radical Road (voices with stones, 2014).

BBC Symphony Orchestra

BBC Symphony Orchestra

The BBC Symphony Orchestra has played a central role at the heart of British musical life since its inception in 1930, and as the flagship orchestra of the BBC provides the backbone of the BBC Proms with at least a dozen concerts each year, including the First and Last Nights. Strongly committed to twentieth-century and contemporary music, it has given the premiere of more than 1,000 works by composers such as Bartók, Britten, Hindemith, Holst, Stravinsky and Shostakovich, and more recently has premiered BBC commissions by Simon Bainbridge, Jonathan Dove, Michael Nyman and Sir John Tavener among others. Its annual season of concerts as Associate Orchestra of the Barbican includes a weekend each January focusing upon a single composer from the twentieth or twenty-first century, most recently James MacMillan, Elliott Carter and Sofia Gubaidulina.

Jiří Bĕlohlávek took up the post of Chief Conductor in July 2006 and David Robertson was appointed Principal Guest Conductor in 2005. The BBC SO works frequently with Conductor Laureate Sir Andrew Davis and Artist-in-Association John Adams. All concerts are broadcast on BBC Radio 3 and a number are televised, giving the BBC Symphony Orchestra the highest broadcast profile of any orchestra in the UK. The BBC SO is committed to innovative education work, with ongoing projects including the BBC SO Family Orchestra and Music Intro, introducing families to concert-going.

The BBC SO has appeared on 34 of NMC’s CDs, including the best-selling recording of Elgar’s Third Symphony.

Brabbins, Martyn

Martyn
Brabbins
Conductor
Artistic Director of the Cheltenham International Festival of Music 2005-2007, he was Associate Principal Conductor of the BBC Scottish Symphony Orchestra 1994-2005. He is Principal Guest Conductor of the Royal Flemish Philharmonic, a position which started in September 2009. After studying composition in London and then conducting with Ilya Musin in Leningrad, his career was launched when he won first prize at the 1988 Leeds Conductors' Competition. Since then Brabbins has regularly conducted all the major UK orchestras and is much sought-after in Europe, notably in Germany, Holland, Belgium and Scandinavia.   
 
Brabbins’ symphonic engagements have included appearances at London's  South Bank in subscription with the London Philharmonic and Philharmonia orchestras, his Tokyo debut, with the Tokyo Metropolitan (where he returns in 2011); and visits to the Netherlands Radio Chamber in the prestigious Matinee series, the Residentie Orkest, Salzburg Mozarteumorchester and Lahti Symphony.  He is a regular guest with the City of Birmingham Symphony, Halle and BBC Philharmonic orchestras, and appears several times each season with the BBC Symphony and BBC Scottish Symphony orchestras in subscription and at the BBC Proms.

Robinson, Olivia

Olivia
Robinson
soprano

Originally from Salisbury, Olivia Robinson has sung with various consorts, ensembles and choirs, including the Sixteen, Polyphony and The English Concert under Trevor Pinnock, performing all over the UK and Europe. She has been a full-time member of the BBC Singers since 2003 where she works with conductors including Pierre Boulez, Sir Andrew Davis and Sir Simon Rattle, performing a huge breadth of repertoire ranging from Byrd and Tallis to new commissions by the likes of Sir Harrison Birtwistle and James MacMillan. Highlights of her solo work for the BBC include singing Procula, Pilate's Wife, in the world première performance and broadcast of Francis Grier The Passion of Jesus of Nazareth, and singing Mozart C Minor Mass live on Radio 3 and across the European Broadcasting Union.

Outside the BBC, her solo repertoire includes Purcell Dido & Aeneas, Handel Messiah, Dixit Dominus and various oratorios, Bach B Minor Mass, St John Passion, Magnificat and Christmas Oratorio, Haydn Creation, Mozart Solemn Vespers, Requiem and C Minor Mass, Mendelssohn Elijah, Verdi Requiem and Szymanowski Stabat Mater.

Recent engagements have included Mozart Requiem in Canterbury Cathedral, Mozart C Minor Mass in Ely Cathedral and the world première performance and recording of Vaughan Williams A Cambridge Mass. Forthcoming concerts include Haydn Creation in Canterbury Cathedral and Verdi Requiem in Folkestone.

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ensemble recherche

ensemble recherche

The ensemble recherche makes music history. With around 600 world premieres since its founding in 1985, the ensemble has been instrumental in shaping the development of contemporary chamber and ensemble music.

Impulses are set with concerts, music theater, courses for composers and instrumentalists, productions for listening and seeing, with children's and youth sound projects, the "Klangpost" and the ensemble academy Freiburg organized together with the Freiburger Barockorchester. The nine-member soloist ensemble determines the international music scene with its own dramaturgical line.

The repertoire includes classics from the late 19th century, Impressionists and Expressionists, composers from the Second Viennese and Darmstadt Schools, spectralists and experimental avant-gardists of contemporary art. The ensemble recherche has released around 50 CDs, and has won several international awards, including the Dt. Record Criticism and the Diapason d`Or.

The ensemble recherche is institutionally funded by the Ministry of Science, Research and Art of Baden-Württemberg and the Cultural Office of the City of Freiburg.

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COMPOSER:

DESCRIPTION

Olivia Robinson soprano
Jennifer Adams-Barbaro soprano
Cherith Millburn-Fryer alto
EXAUDI
James Weeks conductor
BBC Symphony Orchestra
Martyn Brabbins conductor
ensemble recherche includes:
Martin Fahlenbock flute
Jaime González oboe
Shizuyo Oka clarinet
Melise Mellinger violin
Barbara Maurer viola
Åsa Åkerberg violincello

 

Brian Ferneyhough is widely recognized as one of today’s foremost living composers. Since the mid-1970s, when he first gained widespread international recognition, his music has earned him a reputation as one of the most influential creative personalities and significant musical thinkers on the contemporary scene.

The monolithic La Terre est un Homme, with its 4-foot-tall score and written for an orchestra of eighty-eight, each of whom at times becomes a soloist with their own individual stave, caused a scandal at its 1979 premiere and has scarcely been heard since. The title comes from a painting from 1942 by Roberto Matta, which reminded Ferneyhough of a dream he had experienced:

‘I dreamt of a strange and alien planet traversed by a pitilessly hot sun. It was basically a desert landscape. The remarkable thing was, I seemed to be seeing every single grain of sand separately, not only in its spatial dimensions but also – somehow – in its individual weight. All was in slow, ineluctable motion. Between sharply contoured rocks scuttled tiny, scorpion-like creatures. One senses the extreme complexity but inevitability of this strange combination of leaden, slowly-moving sand and sudden flashes of intensely coloured movement.’

The second giant orchestral work on this album is Plötzlichkeit which includes three female singers, whose vocalise blends with the orchestra like a modern-day Debussy’s Sirènes. The BBC Symphony Orchestra under conductor Martyn Brabbins' direction throw themselves fearlessly into this demanding and densely notated music, to dramatic effect.

Brian Ferneyhough was just 26 when he composed Missa Brevis. Written for 12 voices divided into three four-part choirs, it is superbly performed on this album by EXAUDI. The most recent work is Liber Scintillarum, commissioned by ensemble recherche and premiered at Darmstadt in 2012.

REVIEWS

GRAMOPHONE EDITOR'S CHOICE MAY 2018

'Massive and mesmerising ... one of the most remarkable orchestral achievements of the last half-century.' The Guardian ★★★★★

‘Joyously terrifying … Play it loud’ Alex Ross, The Rest is Noise

‘An adventurous disc’ Financial Times ★★★★

‘a jewel in NMC’s already glittering crown’ Classical Source ★★★★★

‘a valuable album’ The Times

'Ferneyhough's 75th birthday could not have been more fittingly marked.' Gramophone

‘the music is sublime’ The High Arts ★★★★★

‘There is something terrifying about this level of sonic precision … thrilling’ The Wire

‘Tremendously engaging … if you don’t know Ferneyhough’s music, this is a great place to start’ BBC Radio 3 ‘Record Review’

FUNDING

Produced in association with BBC Radio 3 and BBC Symphony Orchestra.

The production of this album was generously supported by Stanford University.

With thanks to the Barbican Centre and the Corporation of London.

RECORDING CREDITS

La Terre est un Homme and Plötzlichkeit were recorded live by the BBC at the Barbican Hall, London on 26 February 2011 and broadcast live on BBC Radio 3.

SIMON HANCOCK Recording Engineer
NEIL PEMBERTON Editing
ANN MCKAY Recording Producer

 

Liber Scintillarum was recorded live by Internationales Musikinstitut Darmstadt (IMD) during the Darmstadt Summer Course at Böllenfalltorhalle, Darmstadt, Germany on 22 July 2012

MORITZ BERGFELD & OLAF MIELKE (MBM Musikproduktion) Recording Producers

 

Missa Brevis was recorded live by the BBC at Orford Church, Suffolk as part of Aldeburgh Festival on 10 June 2006.

TIM ARCHER & TOM PARNELL Recording Engineers
CHRIS WINES Recording Producer

Publisher:
Edition Peters
Catalogue number:
NMC D231
Release Date:
16 March 2018