- 01. Rumpelstiltskin Suite: I The Idle Boast4'02"
- 02. Rumpelstiltskin Suite: II Straw into Gold3'55"
- 03. Rumpelstiltskin Suite: Wedding and Coronation8'40"
- 04. Rumpelstiltskin Suite: IV Guessing Games3'06"
- 05. Rumpelstiltskin Suite: V Rumpelstiltskin Alone4'01"
- 06. Rumpelstiltskin Suite: VI Rumpelstiltskin's Last Dance3'53"
- 07. Cat's-Eye: [bar 1]0'57"
- 08. Cat's-Eye: [bar 28]2'33"
- 09. Cat's-Eye: [bar 90]5'15"
- 10. Cat's-Eye: [bar 163]4'43"
- 11. Cat's-Eye: [bar 274]1'08"
- 12. Cat's-Eye: [bar 300]3'56"
- 13. Cat's-Eye: [bar 428]5'22"
- 14. April\March23'17"
Martyn Brabbins conductor
Drama, or a fascination with theatrical possibilities, is present in many of David Sawer’s works, and he has written a number of scores for the theatre and for radio. Operas include From Morning to Midnight which received an Olivier Award nomination for Outstanding Achievement in Opera, Skin Deep with librettist Armando Iannucci, and The Skating Rink, which premiered at Garsington Opera to critical acclaim.
All three of the pieces on this album (David’s third for NMC) have a connection with dance: the Rumpelstiltskin Suite (2011) originated in Sawer’s 2009, 70-minute ballet Rumpelstiltskin; the early ensemble piece Cat’s-Eye (1986) was choreographed by Richard Alston for Rambert in 1992; and premiered in concert in 2016, April\March was commissioned for the Royal Ballet.
David Sawer describes Rumpelstiltskin as “a grotesque fable for our times”. He leaves it to us to ponder the modern-day resonances of this dark tale of greed, deceit, cruelty and abuse.
Cats-Eye is inspired by the fantascope projector, with its spectacular optical tricks that shocked audiences in the 1800s. A simple device called “l’oeil-de-chat”, caused these images to appear and disappear: as the eye closed, the source of light was extinguished. In this piece Sawer brings in instruments together – often in pairs – then they are pulled apart or pitted against others. Past and present is explored in April\March – the back to front calendar of the title pointing to a reversal in time.
This album also includes the bonus track Between, a gentle, beautifully ethereal work which captures a kind of otherworldly essence of the harp completely without sentimentalism. Available for FREE with all purchases of the Rumpelstiltskin album. Also available separately here.
'These three dance-related scores embody a deep compositional deftness' Sunday Times
NMC is very grateful for to Andrew Tusa, Bonnie Horner, Nicholas Berwin, Martin, Stephanie, Jake & Rosa Sawer, and Nigel & Naomi Yandell for their support of this album.
This recording was made possible by funding from RVW Trust, PRS Foundation, The Hinrichsen Foundation and Royal Academy of Music.
All works recorded at CBSO Centre, Birmingham on 13-15 April 2019
DAVID LEFEBER Recording Engineer & Producer
SUSANNE STANZELEIT Digital Editing