BCMG was formed in 1987 from within the City of Birmingham Symphony Orchestra and is established as one of Europe’s leading ensembles.   Sir Simon Rattle is the Group’s Founding Patron and has conducted BCMG in the UK, on tour in Europe and America, and on several EMI recordings. The Group has strong relationships with its two Artists-in-Association Oliver Knussen and John Woolrich, and also with Thomas Adès who conducts the Group during 2006/07 in Birmingham, London, Cologne and Paris, and with whom BCMG is invited to Carnegie Hall, New York in 2008. BCMG was awarded The Arts Ball 2002 Outstanding Achievement Award and has also won prestigious Prudential, Royal Philharmonic Society, Gramophone and PRS Millennial awards. In May 2005, BCMG was awarded the Royal Philharmonic Society Award for Audience Development for its popular Rural Tours programme.
The core of BCMG's work is the performance of new music, and the Group has premiered over 100 new works by leading UK and overseas composers. Most have been commissioned with the help of a large number of individuals through BCMG’s ground-breaking Sound Investmentscheme. The Group regularly tours nationally and internationally. Recent UK engagements have included appearances at the Aldeburgh and Cheltenham Festivals, and at the BBC Proms with Birmingham Opera Company for Benjamin Britten’s CurlewRiver.  In April 2006, the Group toured the UK with New York-based jazz trumpeter, Dave Douglas, performing Blue Latitudes, a piece commissioned through BCMG’s Sound Investment scheme. Previous projects have included a European tour with Sir Simon Rattle in 2000, a tour of India in 2002 with Judith Weir and Indian storyteller Vayu Naidu and visits to the Berlin, Radio France Présences and Vienna’s Wien Modern Festivals, Denmark, Sweden and Portugal.   
BCMG is committed to engaging the widest possible range of people with its work, and runs extensive learning and audience-building programmes in pursuit of this aim. Projects with young people in and out of school and with adults in a range of community settings are complemented by free performance projects such as the Group’s popular ‘Rural Tours’, Late-Night performances and Meet-the-Composer days. BCMG broadcasts often on BBC Radio, has made TV programmes for BBC and Independent Television, and numerous CD recordings.  The relationship with NMC is particularly strong, with the recent launch of a new CD of Britten’s film music and several more discs planned.



Azalea is a passionate ensemble dedicated to the exploration and performance of new repertoire and being part of the future of contemporary music. Founded in 2007 by clarinettist/ composer Scott Lygate, our vision for Azalea is that in time it will develop to become one of the leading platforms for exposing and promoting new music, through a deep understanding of repertoire, and excellence in performance. The ensemble is made up of exceptionally committed musicians mainly from the Royal Academy of Music, London, whom all share a love of new music.

Austin, Christopher


One of the UK’s foremost conductors specialising in contemporary repertoire, Christopher Austin has given more than 80 world and local premieres in the last decade, including works by John Adams, Simon Bainbridge, Luke Bedford, Tansy Davies, Michael Finnissy, Morgan Hayes, John McCabe, Stuart MacRae, Colin Matthews, Olga Neuwirth, Steve Reich, Poul Ruders, Bent Sørensen, Joby Talbot, Raymond Warren and John Woolrich. More than 40 of those premieres have been given with the Brunel Ensemble of which he is Artistic Director and with them and many other ensembles he has consistently championed the music of Malcolm Williamson and Elisabeth Lutyens and he has had a long association with the music of John McCabe.

Recent work includes debuts with the Orchestre National de Lille, Orchestra della Teatro Regio Parma, the Danubia Symphony Orchestra and at the Aldeburgh Festival; returns to the BBC National Orchestra of Wales, RTÉ Concert Orchestra and the Esbjerg Ensemble, as part of Sound Around – the Øresund Biennale of Contemporary Music in Copenhagen. Other work includes the London Sinfonietta, Composers’ Ensemble, The Philharmonia, BBC Symphony, Royal Philharmonic, Hallé and BBC Concert Orchestras, Present Music (New York), Athelas Sinfonietta Copenhagen, the Danish Radio Sinfonietta, Scottish Chamber Orchestra, Hungarian Radio Symphony Orchestra, Ulster Orchestra and the English Symphony Orchestra. He has also collaborated with John Cale, Michael Nyman and the rock group The Divine Comedy. Future work includes further concerts and recordings with the Esbjerg Ensemble, a return to the Orchestre National de Lille, his debut with the Odense Symphony Orchestra and a tour of the Far East conducting Joby Talbot’s score for Carolyn Carlson’s Eau for the Centre Chorégraphique National de Roubaix Nord – Pas de Calais. He has recently begun work with Azalea, a young, new music ensemble based at the Royal Academy of Music in London.

Image Credit: 
Katie Van Dyck


viol consort

Concordia viol consort, founded by Mark Levy and Joanna Levine, plays English music of the golden age and a wide range of renaissance and baroque repertoire from Italy, Spain, Germany and France.  Concordia works with guest artists on other instruments and, above all, the human voice; regular collaborators including countertenors Robin Blaze and James Bowman, tenor James Gilchrist, baritone Peter Harvey and soprano Rachel Elliott.  Perhaps because of the breadth and appeal of its stimulating programming, which also includes new commissions, contemporary dance and poetry, Concordia is now one of the most active British chamber groups, appearing at the Wigmore Hall, festivals throughout the country and major venues across Europe.

The regular members of Concordia are: Mark Levy, Joanna Levine, Emilia Benjamin, Reiko Ichise, Alison McGillivray and Markus Tapio, viols; Elizabeth Kenny, lute; and Gary Cooper, organ/ harpsichord.

Image Credit: 
Photo: Jamie Campbell

Burgess, Joby


One of Britain’s most diverse percussionists, Joby is best known for his virtuosic, often lissom performances, daring collaborations, extensive education work, and regularly appears throughout Europe, the USA and beyond.

Joby commits much of his time to three chamber music projects - Powerplant, New Noise and ensemblebash - of which, he is either the artistic or co-artistic director.  Founded in 1999 his duo New Noise, with oboist Janey Miller, has given well in excess of two hundred performances, whilst creating an entirely new repertoire and distinctive sound.

Dedicated to the development of the percussion repertoire, often in combination with electronics, Joby spends much of his time commissioning and recording new music. Recent highlights have included extensive tours with Peter Gabriel’s New Blood Orchestra and Graham Fitkin’s all star band; releases of Gabriel Prokofiev’s Import/Export on Nonclassical and Frozen River Flows on Oboe Classics.  Future plans include a new duo - Uncharted - with cellist/vocalist Matthew Sharp, and a large-scale multimedia commission from Max de Wardener.

Joby regularly performs, records and collaborates with artists including Stewart Copeland, Michael Finnissy, Graham Fitkin, Peter Gabriel, John Kenny, Akram Khan, Sarah Leonard, Joanna MacGregor, Peter Maxwell Davies, Nitin Sawhney, Andy Sheppard, Keith Tippett and Nana Vasconcelos, along with many of the world’s leading chamber ensembles.  He is also a member of Stephen Deazley’s Edinburgh based ensemble, Music at the Brewhouse, for which Joby was commissioned to arrange A-ha’s pop classic Take On Me, for the 2008 St Magnus Festival in Orkney.

In 2004 Joby was appointed professor of percussion and director of percussion ensembles at Junior Trinity College of Music, Greenwich.

Morgan, Darragh


Violinist with Fidelio Trio, Darragh Morgan has performed extensively throughout Europe, USA, Africa and Asia. He has performed concertos with orchestras including European Union Chamber Orchestra, Istanbul Symphony, Cyprus Chamber Orchestra, Johannesburg Philharmonic, National Symphony Orchestra of Ireland, Ulster Orchestra, RTE Concert Orchestra, and Kolner Kammerorchester.

As a highly active and renowned interpreter of contemporary music, Darragh Morgan has worked with and premiered the music of many of the most important composers of our time, including Arvo Part, Philip Glass, John Tavener, Kevin Volans, Michael Nyman, Gerald Barry and Michael Finnissy. He regularly leads London Sinfonietta, and has also guest led Ensemble Modern, Musik Fabrik, Birmingham Contemporary Music Group, Remix Ensemble (Porto) and Athlesas Sinfonietta (Copenhagen ). Darragh was violinist with the acclaimed Smith Quartet from 2005-2011 and previously Artistic Director of Barqoue 2000 in South Africa. From 2009-19 he was on the violin faculty at Royal Welsh College of Music and Drama and has given masterclasses at Curtis Institute, Peabody Conservatory, Central Conservatory Beijing and YST Singapore. Darragh has recorded over 50 albums for Naxos, Resonus, NMC, Metier, Delphian and Signum. He plays an 1848 Giuseppe Rocca violin, generously on loan from The Morgan-Rocca Instrument Trust which is administered by The Royal Society of Musicians and a fine bow made by Alfred Lamy.

Image Credit: 
Frances Marshall

Boden, Samuel


British tenor Samuel Boden began his professional career as a chef, going on to study singing with John Wakefield at Trinity College of Music whence he graduated in 2006 with First Class Honours. He has been the recipient of numerous awards including the Ricordi Opera Prize and the Derek Butler London Prize as well as scholarships from the Harold Hyam Wingate Foundation, the Arts and Humanities Research Council and the Samling Foundation.

Samuel’s roles include Tamino in Die Zauberflöte, Gastone in La Traviata and Flute in Britten's A Midsummer Night’s Dream; he sang Tony in the 50th Anniversary World Tour of West Side Story for Sundance Productions, and recently appeared as Quint in the Mexican première of Britten's Turn of the Screw.

In demand as a recording artist, Samuel appears on the recent Monteverdi Vespers release with the Orchestra of the Age of Enlightenment and has also recorded with Ex Cathedra.

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Christopher Austin, conductor
Samuel Boden, tenor
Joby Burgess, percussion
Simon Haram, saxophone
Darragh Morgan, violin
Huw Watkins, piano

In her recent work, Davies has found an accommodation between the worlds of the avant-garde and experimental rock, between – in the words of one critic – Xenakis and Prince. Filled with sounds of cracking, slapping, whipping and scraping, it is music that is utterly contemporary, inhabiting the same urban landscape as industrial techno and electronica.

The works on this new recording include make black white, a reconstruction of Dowland’s Flow, My Tears performed by viol consort Concordia; the ritualistic Dark Ground for percussion (Joby Burgess); Loopholes and Lynchpins, a reworking – or unravelling even – of Scarlatti's keyboard sonata (Huw Watkins) and the title work, spine, performed by Azalea and inspired by the composer's interest in trilobites.


Session photos: Jamie Campbell



‘An absorbing if disc… those who already have the earlier Davies disc should acquire forthwith’ Gramophone

'It's hard to think of another British composer whose rise through the hierarchy of British music has been so rapid, fuelled by high-profile commissions. As this disc shows, her music is at its most compelling when it creates vivid textures, drawing on rock and pop idioms to give it edge and pungency'  Guardian

‘a great portrait CD compilation of works from the first decade of our musically wonderful new century, by our great composer (Tansy Davies, b. 1973) who never repeats herself’ Musical Pointers

'Tansy Davies’ music, held together in an awkward, gritty tension that allows for both emotional depth & unrestrained exuberance.' 5:4



NMC is grateful to the RVW Trust and to BCMG's Sound Investment scheme for supporting this recording.


Falling Angel and Iris were recorded live at the CBSO Centre, Birmingham on 5 December 2010.

Recording Producer & Engineer DAVID LEFEBER

spine, Dark Ground and Loure were recorded at Coombehurst Studio, University of Kingston on 12-14 September 2011.

Recording Producer & Digital Editing NICOLA MORO
Recording Engineer SEBASTIAN LEXER

Static / This Love and Loopholes and Lynchpins were recorded at the CBSO Centre, Birmingham on 26 May 2012; and make black white was recorded at The Menuhin Hall, Yehudi Menuhin School, Surrey on 10 June 2012.

Recording Producer & Engineer DAVID LEFEBER
Executive Producer for NMC COLIN MATTHEWS

Cover image / Graphic design FRANCOIS HALL

(P) 2012 NMC Recordings Ltd
© 2012 NMC Recordings Ltd

Faber Music
Catalogue number:
NMC D176
Release Date:
3 September 2012