Mark-Anthony Turnage
A composer of international stature, Mark-Anthony Turnage is indisputably among the most significant creative figures to have emerged in British music of the last three decades. His first opera, Greek, established Turnage’s reputation in 1988 as an artist who dared to forge his own path between modernism and tradition by means of a unique blend of jazz and classical styles.
Three Screaming Popes, Kai, Momentum and Drowned Out were created during his time as Composer in Association in Birmingham with Simon Rattle between 1989 and 1993, followed by Blood on the Floor, his unique score written for the distinguished jazz musicians John Scofield and Peter Erskine, and Martin Robertson.
His opera, The Silver Tassie, was premiered by English National Opera in 2000, winning both the South Bank Show and the Olivier Awards for Opera. Anna Nicole played to sold-out houses at Covent Garden in 2011 and has also been staged in Dortmund, New York and Nuremburg, while his opera for family audiences, Coraline, was staged by The Royal Opera at the Barbican Theatre in 2018, travelling on to Freiburg, Lille, Stockholm and Melbourne. Turnage has written ballet scores for both Sadler’s Wells (Undance) and the Royal Ballet (Trespass and Strapless).
Turnage has been Resident Composer with the Chicago Symphony Orchestra, BBC Symphony Orchestra and London Philharmonic Orchestra. Collaborations with the London Symphony Orchestra have included two new works, Speranza premiered under Daniel Harding in 2013 and Remembering which Simon Rattle conducted in London and with the Berlin Philharmonic Orchestra in 2017.
Turnage is Research Fellow in Composition at the Royal College of Music, and is published by Boosey & Hawkes. He was awarded a CBE in the 2015 Queen’s Birthday honours.
A composer of international stature, Mark-Anthony Turnage is indisputably among the most significant creative figures to have emerged in British music of the last three decades. His first opera, Greek, established Turnage’s reputation in 1988 as an artist who dared to forge his own path between modernism and tradition by means of a unique blend of jazz and classical styles.
Three Screaming Popes, Kai, Momentum and Drowned Out were created during his time as Composer in Association in Birmingham with Simon Rattle between 1989 and 1993, followed by Blood on the Floor, his unique score written for the distinguished jazz musicians John Scofield and Peter Erskine, and Martin Robertson.
His opera, The Silver Tassie, was premiered by English National Opera in 2000, winning both the South Bank Show and the Olivier Awards for Opera. Anna Nicole played to sold-out houses at Covent Garden in 2011 and has also been staged in Dortmund, New York and Nuremburg, while his opera for family audiences, Coraline, was staged by The Royal Opera at the Barbican Theatre in 2018, travelling on to Freiburg, Lille, Stockholm and Melbourne. Turnage has written ballet scores for both Sadler’s Wells (Undance) and the Royal Ballet (Trespass and Strapless).
Turnage has been Resident Composer with the Chicago Symphony Orchestra, BBC Symphony Orchestra and London Philharmonic Orchestra. Collaborations with the London Symphony Orchestra have included two new works, Speranza premiered under Daniel Harding in 2013 and Remembering which Simon Rattle conducted in London and with the Berlin Philharmonic Orchestra in 2017.
Turnage is Research Fellow in Composition at the Royal College of Music, and is published by Boosey & Hawkes. He was awarded a CBE in the 2015 Queen’s Birthday honours.
Recordings by this composer
Recordings
Compilations with this composer
Compilations
